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Aesthetics19 November 2025

Camerimage 2025: Hamnet – Łukasz Żal, Presence Above All

After the screening of Hamnet, Łukasz Żal unravelled a method that, beneath its surface simplicity, reveals a kind of sophistication grounded in listening. Adapting Maggie O’Farrell and working with Chloé Zhao pushed…

By L'Union des Chef·fes Op and Pascal Montjovent

Profession19 November 2025

Camerimage 2025 – Diary of an aspiring Cinematographer – Day 3

Day 3 — Time to Take Root Everything keeps moving at breakneck speed: screenings, encounters, discussions… No time to breathe, but that’s exactly what makes the experience exciting. We carry on. To…

By L'Union des Chef·fes Op

Technical18 November 2025

Camerimage 2025: Generative AI – A New Tool on the Cinematographer’s Cart?

“We’re not here to scare you, but to show you reality.” With these words, Michael Goi (ASC, ISC), co-chair of the American Society of Cinematographers’ AI committee, opened his highly anticipated session…

By L'Union des Chef·fes Op

Profession18 November 2025

Camerimage 2025 – Diary of an aspiring Cinematographer – Days 1 & 2

I’m Eliott Martin, 22, a student at Louis-Lumière on exchange at FAMU Prague. I’m discovering Camerimage for the first time with the fresh eyes of an aspiring DP — somewhere between wonder…

By L'Union des Chef·fes Op

Profession16 November 2025

CAMERIMAGE 2025 — 33rd Edition

UCO has arrived in Toruń! As every year, the United Cinematographers Organization is at Camerimage. Beyond the competition, we’ll be catching the festival’s key moments : – Anémone (directed by Ronan Day-Lewis)…

By L'Union des Chef·fes Op

Profession11 August 2023

François-Xavier Le Reste has left us

It is with shock and sadness that we learned the passing of François-Xavier on August 11, a cinematographer and member of the UCO and the CST, at the age of…

By L'Union des Chef·fes Op

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